10/10/2002
Damaged but Wonderful Brains
Lang Lang - if you ever see that name on a concert bill and can get a ticket, do so immediately! Last week the first of our Friday afternoon series of New York Philharmonic concerts featured Rachmaninoff''s Second Piano Concerto with Lang Lang at the piano. Lang Lang was born in Shen Yang, China only 20 years ago. This young man gave a performance that can only be described as awesome, brilliant, dramatic, touching, magnificent. There aren''t enough adjectives to do him justice. I''ve never seen an audience respond so enthusiastically, rising as one to cheer his performance. Lang Lang started piano lessons at three and by age five he already was starting to win awards. More recently, he was the first recipient of the Leonard Bernstein Award for distinguished musical talent.
Lorin Maazel, the conductor and the Philharmonic''s new music director, is no slouch either. His sense of perfect pitch and a photographic memory were apparent when he was four. When he was only seven, he conducted the NBC Symphony at the behest of none other than Toscanini! I was surprised to read in the program notes that he, my wife-to-be and I all attended the University of Pittsburgh in the 1946-1950 period and that he played violin in the Pittsburgh Symphony. My wife was an usher and I had season tickets, so we must have seen him perform there over 50 years ago. He later became music director of the Pittsburgh, as well as several other major orchestras of the world. With Maazel at the helm of the Philharmonic, the loss of Kurt Masur is a bit easier to take.
As gifted as these two musicians are, their accomplishments pale when compared to those of Leslie Lemke. You may have seen him, as I did, on a 1983 "60 Minutes" segment with Morley Safer. An article in the June issue of Scientific American, followed by a visit to the Wisconsin Medical Society Web site, refreshed my memory of this program. The article is titled "Islands of Genius", by Darold Treffert and Gregory Wallace. It seems that Dustin Hoffman also was watching "60 Minutes" that night and was moved to tears by Lemke. Last week, I also saw Hoffman being interviewed on TV. He was discussing his Academy Award-winning role in the movie "Rain Man". Dr. Treffert, a psychiatrist at the St. Agnes Hospital in Fond du Lac, Wisconsin, was a consultant for that movie.
What was about Lemke that so moved Hoffman? Who could not be moved? Lemke started life unwanted, given up for adoption at birth in Milwaukee, Wisconsin. Complications due to his premature delivery mandated surgery for removal of his eyes just a few months after birth. Not only was he blind and gravely ill but he was also brain damaged. Entrusted to the care of a nurse- governess named May Lemke, who was 52 and already had raised 5 children, Leslie couldn''t have found a better home. He loved music and May would put his fingers over hers as she played the piano. Leslie learned to sing and play the songs that May sang to him. He also picked up pop songs listening to the radio. You might not think this too remarkable for a blind person; witness Ray Charles and Stevie Wonder. But could they repeat verbatim a whole day''s conversations with everyone with whom they spoke that day? Leslie had a prodigious memory.
Fast forward to Leslie at 14. With no exposure to classical music, he happened to hear a Tchaikovsky piano concerto, the theme song of a TV movie. May found him playing the concerto from beginning to end after hearing the piece just once! It turned out he could play anything he heard, just once, and play it flawlessly - without a music lesson in his life! May Lemke thought this "God''s gift" should be shared and she had Leslie give concerts at county fairs and the like. In 1980, he gave a concert in Fond du Lac and a local TV station made tapes, which were played for Dr. Treffert. Did I mention that Leslie was not only blind and mentally disabled, with a verbal IQ of only 58, but also had cerebral palsy?
Treffert identified Leslie as having savant syndrome, which Treffert terms as islands of genius in an otherwise severely handicapped individual. A reporter latched onto the story and soon Lemke appeared on Oprah, Donahue, Walter Cronkite''s evening news and "60 Minutes". After watching the latter show Hoffman thought to himself that he really wanted to play a savant. His chance came when he was offered a role in "Rain Man". Actually, he was slated for Tom Cruise''s role of the brother but Hoffman insisted on the Raymond Babbitt role as an autistic savant.
Treffert gives high marks to the movie for its realistic treatment of the autistic savant and to Hoffman for the time and effort he spent researching and interacting with savants. I was struck by two of Hoffman''s remarks on the TV interview last week. One was to the effect that savants don''t have a filter. That is, they take in this huge amount of information, store it undigested in their memory and don''t forget it. Hence, their prodigious feats of memory, a characteristic of all savants. Typically, however, they don''t comprehend or interpret the ideas and meaning behind what they memorize.
Hoffman also gave another example of the difference between a normal individual and one of the savants who served as a model for Hoffman''s character. Suppose we are tallying votes by making strokes on a blackboard. If we look at 1, 2, 3, or 4 strokes we don''t have to count them but recognize immediately that there are 1, 2, 3 or 4 strokes. At some point though, say 9 or so strokes, we have to count out the number of strokes. Hoffman said that the savant would not have to count out even a hundred strokes (actually, I think he said two hundred) but would know the number immediately!
In case you''re not familiar with the movie or with savant syndrome, consider Kim Peek, the initial role model for Raymond Babbitt. Peek is not autistic, as about half of savants are, but as the script for the movie was developed, it was decided to make the Babbitt character both autistic and a savant. Peek has read and memorized some 7,600 books. Even before he was two years old, he would memorize every book read to him - just once! Having memorized it, he didn''t want the book read to him again, unlike the children or grandchildren I''ve known. He would turn the book upside down and, 50 years later, still puts a finished book upside down on the shelf. Why read something you know by heart?
Savants may have the ability to quickly multiply, divide, even get square roots of very long numbers in their head. Peek likes to add up the numbers in a phone book. Another savant trait is the calendar syndrome. The calendar savant can tell you the day of your birth if you tell him the date, what day of the week it will be when you reach 65 or how many seconds you''ve lived. All this within about a minute or less. One blind savant even set her internal clock by listening to "the time lady" on the telephone. Later, she could tell you the correct time to the second without ever having had access to a watch!
I''ve written about savants before. So what''s new? Research continues to support the prevailing view that damage to the left brain is a key factor. The right brain is more associated with what is known as "habit" memory, while the left brain is more associated with logical thinking and language development. The savant''s memory is great but there''s not much thinking going on. A savant might be able to memorize a whole book backwards and forwards but without any comprehension of the meaning of the book. The fact that some normal people have suddenly become savants after left brain damage has reinforced the belief that left brain damage is key. Brain scans of various sorts of the blood flow in the brains of savants are also showing signs of decreased blood flow in the left brain.
Experiments are now going on that might make me a bit hesitant if I were a subject. Researchers in Australia took 17 volunteers and applied some sort of magnetic stimulation to certain areas of the left brain. The idea was to mimic damage to the left brain and see whether some savant characteristics emerge. Just two individuals showed temporary savant-like powers such as calendar calculating while others in the group showed other new skills that lasted a few hours. Such experiments might shed some light on the answer to the question of whether a normal individual can develop the savant''s ability to access the depths of his or her memory but still retain the ability to reason and use that information.
Lemke, incidentally, has now given concerts all over the world, composes his own music and plays with a degree of energy and enthusiasm not generally shown by savants, who typically tend to be more mechanical in their playing. With his music, he has become more outgoing and Treffert says he even has shown signs of an emerging sense of humor. The number of known "prodigious savants" like Lemke has been less than 100 in the past century.
Even though Lang Lang and Maazel are not savants, I marvel that they both pulled off the Rachmaninoff concerto without music. Maazel must still have his photographic memory - he also needed no music to conduct Night on Bald Mountain and Sibelius'' Second Symphony. I''ve had piano lessons and I can''t even memorize Chopsticks!
Allen F. Bortrum
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